Close

Strategy

Tags: convergence
Type
Format
Premium Only

Motivated by Convergence Not Crisis: Finding Flexibility in a System Filled with Constraints

Oregon Public Broadcasting has chosen to compete in a different way. This shift has changed the way they make decisions, allocate resources, invest in staff and even in the physical space they inhabit.

How has your organization reacted to changes in the competitive landscape?

Alex Nyerges, Executive Director of the Virginia Museum of Fine Arts, talks about the museum’s focus on accessibility, relevance and excitement.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

Jennifer Bielstein, Managing Director of the Actors Theatre of Louisville, talks about new opportunities to connect with audiences and how delivering a live, interactive experience will become increasingly valuable.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

Eduardo Vilaro, Artistic Director of Ballet Hispanico, talks about the importance of remaining true to your mission.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

Keith Winsten, Executive Director of the Brevard Zoo in Brevard County, Florida, discusses how increased competition helped the organization focus on relevance and redefine its mission.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

J. Mikel Ellcessor, general manager of WDET, Detroit, discusses the role of cultural organizations in a world where audiences see themselves as creators.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

Timothy O’Leary, General Director of the Opera Theatre of Saint Louis, suggests that art is about looking forward and therefore arts organizations must be perceived as forward-looking.

What does the convergence of consumer interests, markets and industries mean for cultural organizations?

Patrick McIntyre, General Manager of the Sydney Theatre Company, talks about the increasing pressure to articulate the benefits of the experiences we offer. He suggests that in the new environment content is marketing and that the concept of co-creation is as old as the Gramophone.

Trending in Strategy

Logic Models

The Possibilities of a Children’s Art Museum

Three Strategic Planning Challenges

Inspiring & Motivating Arts & Culture Teams