A look at the Loft Literary Center’s in-depth analysis of how online classes would fit into the organization’s vision
The drivers for organizations extending their programming online vary: some pursue new audiences for whom…
Oregon Public Broadcasting has chosen to compete in a different way. This shift has changed the way they make decisions, allocate resources, invest in staff and even in the physical space they inhabit.
Dr. Gary Vikan, former Director of The Walters Art Museum, discusses how neuroscience, evolutionary biology and the cave paintings in Lascaux might point to the fact that aesthetics is “hard-wired into our heads.”
Jessica Robinson Love, Senior Director at Arabella Advisors, discusses how viewing programs as tools allows her organization to focus on outcomes.
Basma El Husseiny, managing director of Culture Resource (Al Mawred Al Thaqafy) in Egypt, suggests that the protests movements at their core have been about dissatisfaction with current institutions and wonders what that means for arts and culture institutions.
Sebastian Ruth, Founder & Artistic Director of Community MusicWorks, discusses the need for cultural institutions – both big and small – to ask what is their role in the community and what problems they are addressing.
Alex Nyerges, Executive Director of the Virginia Museum of Fine Arts, talks about the museum’s focus on accessibility, relevance and excitement.
Eduardo Vilaro, Artistic Director of Ballet Hispanico, talks about the importance of remaining true to your mission.
Keith Winsten, Executive Director of the Brevard Zoo in Brevard County, Florida, discusses how increased competition helped the organization focus on relevance and redefine its mission.
J. Mikel Ellcessor, general manager of WDET, Detroit, discusses the role of cultural organizations in a world where audiences see themselves as creators.
Timothy O’Leary, General Director of the Opera Theatre of Saint Louis, suggests that art is about looking forward and therefore arts organizations must be perceived as forward-looking.
Patrick McIntyre, General Manager of the Sydney Theatre Company, talks about the increasing pressure to articulate the benefits of the experiences we offer. He suggests that in the new environment content is marketing and that the concept of co-creation is as old as the Gramophone.
Linda Ames Key, Education Director of the Vital Theatre Company, discusses her vision for a new theater model with education as its primary focus.
Linda Ames Key, Education Director of the Vital Theatre Company, discusses a better model for “art in schools” partnerships.
Kim Sajet, President and CEO of the Historical Society of Pennsylvania, talks about the importance…
Beth Boone, Artistic & Executive Director of Miami Light Project, talks about their process of…
Anthony Moseley, Executive and Artistic Director of Collaboraction in Chicago, discusses finding the right models…
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